Two-Dimensional Design

The course An Introduction to Design through Making provides a hands-on introduction to maker education. Course modules can be found at the link below:

The project for this week focuses on two-dimensional design.

  1. Use the Silhouette die cutter to cut out the shape of a Crowned Crane (i.e., the silhouette of the crane).
  2. Use the Silhouette die cutter to cut out the image of a Crowned Crane.
  3. Select another plant or animal characteristic of east Africa (such as an African elephant, a colobus monkey, a giant lobelia plant, the Arabica coffee plant, a lammergeier bird, or the giant groundsel plant). Cut out the shape and the image of the selected plant or animal.
  4. Create a collage by combining the selected shapes with other shapes.
  5. Post an image of the collage in this strand with a note about the way in which was created and the related artistic goal.

Optional Extension

Use the file for the Bead Prototyping System to 3D-print the frame for the bead tray that will be used in next week’s activities. The file and associated instructions can be accessed in the Educational CAD Model Library.

Crested Crane Under an Acacia Tree

I started this collage with the outline of the crane and then decided I wanted to add an acacia tree to the scene. Putting the crane, the tree, and the leaves on different layers in Inkscape allowed my to move them up and down to make the tree look like it is behind the crane.

I needed something that would represent the ground, so I added the grass next. To tie everything together, I added the blue background.

The collage still felt empty in places, and there wasn’t as much sense of depth as I wanted, so I used the Pen tool in Inkscape to draw mountains on the horizon.

When I was ready to cut the pieces of the collage, I looked at pictures of sunrises and sunsets in Uganda. In many of them, the mountains looked red or orange, so I decided to use those colors for the background of the collage.

Overall, I am very happy with the image. It was difficult to perfectly align the leaves on the tree, and you can still see some dark paper around the top edges. If I were to do this again, I would probably trim the edges of the tree silhouette so that they aren’t visible under the leaves.

I wish I had read your post before I started! I could have drawn all sorts of things in my image. However, I am excited that I created what I am calling the “Thinking Man’s Gorilla”. Maybe later, I can go back in and add mountains. I may not, though, because this image seems to me a clean logo for some unknown product I can dream up!

I was excited that I had remembered how to use Inkscape to create the outlines. BUT, I need to practice more with Silhouette Studio because I had to look back at the directions.

Claire Mills and Julia Skinner:

East African hippo submerged in Lake Victoria during sunset

As we began creating the collage, we started with the idea of using an East African hippopotamus. From there, we wanted to add dimensionality to the background, so we decided on a sunset. In Inkscape, we were able to create a sunset illusion with the rectangular tool. Additionally, we made a 2D perspective by adding the grass emerging from the water over the hippo. Finally, we added the sun that overlays the changing sky.

Throughout this experience, we found challenges when going to cut the individual pieces while working on Silhouette Studio. Fortunately, we discovered that highlighting and deselecting the piece we wanted to cut out was the easiest method for creating the layers.

We are excited to share our hippo in the sunset and look forward to creating more collages in Inkscape and Silhouette Studio!

East African Sunset:

Rocio Pineda and Billy Ganbold

Thinking through the design, we decided we wanted to incorporate a tiger and an acacia tree with grass at the bottom of the page to ground the figures. Afterwards, we wanted to make the background more intriguing so we decided to use 3 layers of half circles to mimic a sunset, layering each in front of each other. We felt that even with these additions the background still seemed a bit plain so we added flying birds in the background.

Each of the half circles were a different color and were placed in descending color from darkest to lightest. All of the figures and the birds remained black to play with the illusion of close proximity as well as distance.

The only setback was that the half circles weren’t cut symmetrically and were larger in size on the right side. If we were to do this again we would test a bit more to make sure the half circles would be completely centered, but other than that we are happy with the overall product.

My partner and I (Noreen and Genny) created a two-dimensional collage inspired by Uganda’s strong population of Nubian giraffes. To complement the giraffes, we added acacia trees, which thrive in Uganda’s savanna regions and are a natural food source for giraffes. We also designed a savanna background so the animals and trees would appear in their natural habitat, using a tan-brown ground with sparse grass and a clear blue sky.

We first designed all silhouettes in Inkscape and filled them with color to visualize the final composition. The sky felt empty, so we added a sun with a different colors to give the collage more color and dimension. Once finalized, we imported the design into Silhouette Studio and printed each component.

During assembly, we found it easier to layer two acacia trees (one brown and one green) by physically cutting off the green foliage and pasting it onto the brown tree, instead of separating the leaves from the branches in Inkscape. After assembling the collage, we still thought the collage needs some more color and dimension, so we manually cut out clouds and an extra layer of ground (a darker brown as a nod to the fertile and rich soil in Uganda). We also added a second giraffe in a different color so the scene felt more balanced/the first giraffe wouldn’t get lonely.

Overall, the collage turned out aesthetically pleasing and matched our vision. If we did it again, we probably use a sharper blade in the cutting machine or use sharp X-Acto knife to achieve cleaner cuts, especially for thin details like the giraffes’ horns, tails, and blades of grass.

My partner (Yujin Seo) and I (Jade Aguilera) decided to make a collage with the focus on a nice East African leopard. We wanted to do something a little creative by also incorporating scenery typical of East Africa. So, along with the leopard, we made a silhouette of an umbrella thorn acacia tree, a bird, and an attempt at a horizon.

In the process of creating this, we knew we wanted to do something cool with the leopard. Hence, we put him on a tree! Finding a good silhouette of a leopard on the internet was difficult, though. We wanted to make sure its positioning were good. Luckily, Inkscape lets us play around with the images we’ve opened, in the way we could morph the leopard to fit into the tree. We also removed branches from the original image of the tree so the leopard could fit more naturally on the branch.

We used squares that had a wavy shape at the top to do the background and the foreground into yellow and orange. We decided to use a nice light blue for the sky. Also, we used a half circle for the sun, putting it directly behind the leopard so that using black for the leopard were sensible and appealing. Lastly, we were able to morph the bird on Inkscape so the machine would cut it perfectly.

We had some issues with the sizes of the collage pieces, but were able to fix it on Silhouette Studio.

Overall, we had so much fun using these digital design software that could allow us to make a beautiful scenery!

Claire Mills and Julia Skinner:

East African hippo with a sunset

As we created the illusion of a three-dimensional papercraft shadowbox, we knew we wanted to continue with our hippo scene but add more 3D features to it. We decided that adding clouds and birds to the already established hippo and sunset would allow the dimensionality to shine as well as fill in the overall circle. The colors we chose portray the sunset from our previous project. We intentionally set the hippo as the focal point in front of the other layers to highlight our focus. We had a great time designing this! It was very cool to see the dimensionality come to life!

We (Noreen and Genny) created a folding papercraft shadowbox inspired by our previous 2D collage of Uganda’s landscape with a giraffe silhouette. Each layer of the card represents one component of the original collage, and when assembled, the layers come together to form a complete image. The card folds out in an accordion style, with each frame connected by gluing tabs along the edges.

Although we reused many of the silhouettes from our 2D collage, we had to make several adjustments in order to adapt them to the papercraft format.

Our first challenge was creating the base papercraft frame, which is a square with a hollowed-out circular area that highlights the part of the Ugandan landscape we wanted to feature. This was fairly easy to execute in Inkscape by following the instructions, but sizing proved to be more difficult. We had to carefully adjust the hollowed-out circle so it was large enough to clearly display each landscape element, such as the grass, acacia tree, and giraffe. Because of this limited space, we chose to simplify our design by removing the layers of dirt, and include only one giraffe instead of two.

The most difficult part of the process was ensuring that all landscape elements were securely attached to the papercraft frame. The giraffe and tree were easier to attach because they had clear connection points. The grass, however, was more challenging. We did not want it to curve with the circular opening, as that would disrupt the flat ground effect typical of a Ugandan landscape. To solve this, we placed the individual grass pieces on a flat rectangular base and combined the grass with a flat ground layer.

Lastly, we decided on the order of the layers and the color choices. We arranged the layers so that the smallest elements appeared toward the front, preventing them from being visually overwhelmed by larger background pieces. We kept the same color palette as our original collage, but lightened the shade of green for the grass so it would not blend in with the acacia tree leaves.

Overall, we think the papercraft turned out aesthetically appealing and successfully captured the vision of our original collage, while adding depth through the layered, three-dimensional format. If we were to do this project again, we would consider adding a sun or clouds to make the blue sky feel less plain.

Crowned Crane Sunset

By: Billy Ganbold and Rocio Pineda

We created a 3D folding paper craft using some inspiration from our 2D project by sticking with the theme of sunsets and grass. However, this time we wanted to add the sun beaming with a single orange background. We also wanted to pivot from using a tiger and tree print out to a crane and vines, so our projects are differentiated from each other. We noticed the more layers we added to our paper craft, the more 3-dimensional it appeared, which is why we chose to go with 5 layers. We ran into a quick error when we printed our first cut out because we forgot to add the dotted line, which allows us to fold and glue each piece together. Luckily, it was a quick fix in Silhouette and we were able to successfully complete our 3-dimensional project.

East African Leopard

For our folding papercraft shadowbox project, my partner, Yujin Seo, and I decided to build upon our previous work featuring the East African leopard. We were really attached to the original composition, so we chose to stick with the same design while adapting it to fit a three-dimensional format. This transition required several significant adjustments to the structure, specifically because every element of the scene had to be physically attached to the border of the box to remain stable.

To make the depth work without losing the aesthetic of the original image, we had to get creative with our layering. We ended up creating an entirely separate layer for the leopard and the bird. For the leopard specifically, we designed a smaller, secondary branch that remained hidden directly behind the primary branch. By attaching the leopard to this smaller support, we were able to layer the pieces so that it still appeared to be lounging naturally on the main tree limb, just as it did in our initial 2D design.

The digital preparation for this project was the most challenging phase, as we ran into numerous technical issues within Inkscape. We spent a significant portion of our time struggling with the scaling and layering of the images to ensure everything would line up once cut. Despite these frustrations with the software, seeing the finished product come together was incredibly rewarding. The final shadowbox has a charming, nostalgic quality that reminds us of the layered illustrations in the children’s books we grew up with.

Hello, my name is Vonitah and I am the best Art teacher in the eastern region of Uganda.

It’s a pleasure to be part of this platform with beautiful creative art.

Here is the collage I made in Inkscape.

Hello everyone, Am teacher Amos Kutosi from Uganda. I teach art and design and always will to study new ideas.

Here is the collage i was able to create using Inkscape